Olympic Ceremony Symbolism - Part Seven

Series Links: 2012 London Olympics

In this seventh part of the series, the signs of the Beijing Olympic closing ceremonies remain in view alongside the very significant Milk Hill 8 crop sign that marked the opening of the Olympics. I introduced the matter of crop signs in part five and presented many facets in part six that indicate the Milk Hill 8 is a supernatural witness of the dragon's agenda. The flood of Noah's day has been revealed as a pattern for our day in no uncertain terms. This is a plan with world wide scope that has been declared to pivot during the Olympics in Beijing. The troubling instability that now shakes our world is evidence that the plan exposed in these signs is real.

In this writing I'm going to focus on the anti-Flood and anti-Ark of Noah agenda. The flood of Noah's day is presented in the Bible in a way you may find quite startling, as a conception-baptism. With this insight, the anti-flood and anti-ark plan modeled during the Olympics comes into vivid focus, with much more light shed on some symbols that had not yet been but now are brought out of the shadows.

The Flood as a Conception-Baptism

Whenever conception has been presented to us it's a presentation of baptism, too. These two themes are so tightly entwined I frequently employ the hyphenated reference, "conception-baptism." There is a third we might add alongside these; the flood of Noah's day.

I've pointed to the flood as an implicit element in the dragon's plan by reason of the appearance of the ark of Noah the eighth. If there's an ark, there must be a flood. To recognize the flood symbols used by the dragon is to perceive the flood in a way you may never before have considered, in sexual terms. Let me explain.

In 1 Peter 3, we are told plainly that the flood is a baptism symbol.

You have probably come to understand the flood as a baptism symbol through the water being an agent of cleansing. As we take baths to wash away dirt, we are baptized to wash away sins. In this way, the flood washed the earth, cleansing it of the dragon's offspring and their sinful behavior. That's certainly one valid perspective, but we're actually steered away from the "removal of dirt" interpretation in the language of 1 Peter 3. There is a death and resurrection model presented through baptism, and this model compares closely to a conception. When we begin to consider the flood from the conception angle we're immediately confronted with the appearance of the graphic imagery of sexual biological function in the biblical account! The flood of Noah's day was a conception-baptism!

First, let's consider how beautifully an allegorical harvest is pictured in the flood. The ark of Noah the eighth is the seed of the Creator, of Adam, who was created in the image of God, whose Y chromosome was ultimately persisted in Noah. This seed was replanted. The pre-flood harvest season had produced but this apparently meager crop aboard the ark, yet this precious seed crop was purposed to reseed the earth. When the ark came to rest after the flood, the seed was planted in the earth and another harvest season began.

This crop is mankind, and after the manner of men this seed model really relates particularly to sperm and the biological processes of male humans. We must be familiar with the biological process involved before we can recognize its expression in the biblical account and Olympic signs. So, here's the process through which the flood symbols are most easily recognized.

Quoting from the Wikipedia entry for ejaculation/emission: The beginning of emission is typically experienced as a "point of no return," also known as point of ejaculatory inevitability. The sperm then passes through the ejaculatory ducts and is mixed with fluids from the seminal vesicles, the prostate, and the bulbourethral glands to form the semen, or ejaculate. During ejaculation proper, the semen is ejected through the urethra with rhythmic contractions.

The point of ejaculatory inevitability is the point of no return pictured in verses Genesis 6:1-7. The necessity for the blotting out of man and animal was announced. The flooding was inevitable.

The ejaculation is graphically pictured in the following verse.

The waters of the flood came forth upon the earth in the manner of ejaculation! Do you see it? Wow! What we see here can be considered anthropomorphism, yet this isn't man's attempt to explain his creator but the Creator's expression of His works to man.

Let's consider the numbers involved for some deeper insight. Man first appeared on the earth in the sixth day of creation. The number "six hundred" means man, on a global level! "For most men the first spurt occurs during the second contraction." "The typical male orgasm lasts about 17 seconds" This is the biological process involved in bringing forth the seed described graphically in the biblical text.

What began in verse 11 is continued in the following passage.

The ark is the seed launched forth. That "the waters prevailed fifteen cubits higher, and the mountains were covered" speaks to me that the full seventeen second season of ejaculation has ended and the full amount of ejaculate has been brought forth. Two (months) plus fifteen (cubits) equals seventeen (days) -- The units don't match, yet the numbers are there, woven into the imagery. As the waters of the flood come upon the earth, the ark is sent forth with God's seed and the whole sphere of the earth is covered as an egg with sperm, being fertilized for the purpose of repopulating the earth in another season of harvest!

One hint of this anthropomorphic figure is found in the structure of the language presenting this account. Genesis 7:11 is the pivot of a structural introversion that features references to sexual reproduction. The words "male and female" are found in verses 9 and 16 with gender pairings referenced over and again in many of the verses of that range of scripture. Another hint is seen in the language of Genesis 7:7, where "because of the waters" of the flood are the same Hebrew words used in 7:18, "upon the face of the waters." This speaks on a technical level of the biological action of the semen as the carrier of the sperm.

Why is the flood account presented in the manner of human sexual reproductive process? For our purposes here it is enough to know that it's through this manner of testimony that the very personal nature of the flood is communicated to us by our Creator and Heavenly Father, that it was truly about seed, His seed, His offspring!

The Sign of the Umbrella

A view of the gods above the London skyline - in mid-heaven

With insight into the flood as a conception-baptism the meaning of another one of the symbolic elements of the London presentation is revealed. The intended deeper meaning of the graphic "Whole Lotta Love" scene is brought into focus with clarity as we perceive the ark and flood through the conception-baptism imagery!

Umbrellas are employed as props during the London presentation. Why, because it rains a lot in London? Sure, I'll buy that. However, given the clever use of symbols addressed in Parts Two and Three you know these props must be symbols that support one or more of the major themes hidden within. Umbrellas are employed to keep you dry when it rains. What rain is being implied in the scene on the bus? The floodgates of the sky are about to open in an anti-flood baptism ejaculation! Watch the video and you'll see the umbrellas are brought out when it's about to rain a soccer ball from the heavens! The soccer ball is the object spotlighted as the center of attention during the presentation, a symbol of the eight-fold dragon seed.

On the anti-ark of anti-Noah the eighth with umbrellas - prepared for the floodgates of the sky to open

The dramatization of the flood of Noah the eighth occurred while the song "Whole Lotta Love" was being performed by Jimmy Page and Leona Lewis. The ejaculation sequence began with Tayyiba holding the ball inside the bus, out of sight, in the loins. Marking the point of no return (Genesis 6:3-7), the umbrellas were opened - as you see in the image on the left. The soccer ball then began its ascent from deep in the loins of the bus, "the fountains of the great deep." When the ball was launched off the top of the bus, "all the fountains of the great deep burst open, and the floodgates of the sky were opened" (Genesis 7:11) "and the ark floated on the surface of the water" (Genesis 7:18), sailing from mid-heaven above the skyline of London to earth below. (see above) When received by the volunteer, it is as pictured in Genesis 8 when the seed is planted in the earth.

A pivot is seen in the seventeenth verse of the eighth chapter of Genesis. Consider the numbers of this bracketing verse and structural pivot just like we considered the numbers of the matching bracketing pivot verse, Genesis 7:11. I believe the number seventeen of the verse is marking the end of this season, referencing the 17 seconds of the "flooding" and the seventeenth day on which Noah entered the ark. Eight is the number of new beginning, in which we see the meaning fulfilled as Noah the eighth begins to fulfill has appointed purpose in this new harvest age.

Now, recall how this is all being done during the performance of the song, "Whole Lotta Love," which I have described in explicit detail. I wrote that "love" was a metaphor for sexual elements including ejaculate. One thing a "whole lotta love" referred to was a whole lotta semen. When I wrote that in part two, I questioned the Lord more than once whether I should be so graphic (and crude) in posting that online - and there was no doubt that I should - so I did. At the time, I didn't understand semen as symbolic of the waters of the flood, but I do now. It makes perfect sense!

The opening of the umbrella signals an impending heavenly ejaculation as rain, as an anti-flood. When they were opened atop the bus, the point of no return had been reached - it was going to rain! And so it did with a mighty downpour erupting in the form of a prized soccer ball! This ball's trail represents the waters of the dragon's flood.

The Umbrella in the Opening Vignette of the London Presentation

The symbol of the umbrella as a sign of the anti-Flood dragon seed rain is presented redundantly, just as we have seen with every other element identified in the ceremonies to ensure that we can grasp the intended meaning. The umbrella was employed in the opening scene as the bus was arriving.

As the London presentation begins, the first scene features the Londoners at the bus stop, engaging in various choreographed movements while the bus approaches. The soundtrack for this is a messianic greeting and call to worship presented through a heavily disguised composite of Christmas songs. The Londoners are reading and tossing newspapers, and using umbrellas, closed, then opened, and partly opened. As I presented the scene in Part Three, the bus rolls up and comes to a stop with Tayyiba waiting to appear at the door. She is as an egg about to emerge from an ovary, ready to be presented for fertilization. The Londoners represent sperm, and when the egg has arrived in their presence in the fallopian tube-bus stop, their behavior dramatizes the hyperactivation phase sperm exhibit in the presence of an egg. In slow motion they mob the bus door where the egg is presented. The introduction of Erika who is seen holding the dragon seed soccer ball is made in the midst of this activity, the timing of which serves to equate the ball with the Londoners. The two symbols are one in meaning.

Of course, sperm don't approach an egg without first being released, so let's focus our attention on how ejaculation is presented. The impending heavenly ejaculation as rain was signalled as Londoners opened their umbrellas while the bus/egg rolled near! When they opened them the final time (at 14:28 into the video) it signalled the point of no return, of ejaculatory inevitability. The male/female coupling that is appropriate in that moment of intimacy is signified by a gymnastics "split" performed just then, a posture used frequently in the production to express their presentation for sexual service.

Collectively, they had been accurately modeling the male reproductive anatomy in the same manner as the Chinese had done in their presentation. Individually, they had been making a variety of sexually suggestive postures and movements, again, like the Chinese had done.

What happens next is pretty brash. (14:34) The Londoners employ the partially opened umbrella to dramatize a penis going erect then flaccid! No kidding! Marking the transition point in this symbolic sequence, the ejaculation is even signified by a little dance step out in front by those between the umbrellas! The fountains of the deep beginning to burst open is pictured as some prance down the center.

The next choreographed move quite effectively pictures the fountains of the deep bursting open and the floodgates of the sky being opened. They suddenly form a single line (14:25) and the busy activity abruptly stops. Then, a flow of semen through the urethra is dramatized by moving the camera from right to left along this line as following a pulse. The "spurt" was emphasized by the guy on the end, seen breaking away from the line.

The Londoners, in slow motion, begin to approach the bus, which has stopped. They approach the door, behind which Tayyiba stands, though we can't see her yet. She is the egg, and the door covering her is as the physical barriers that protect an egg from fertilization. What we see the sperm Londoners acting out as they approach the egg is called hyperactivation. "Mammalian sperm cells become even more active when they approach an egg cell in a process called sperm activation." "The initial change is called "hyperactivation", which causes a change in spermatozoa motility. They swim faster and their tail movements become more forceful and erratic." (Wikipedia - Spermatozoa Activation)

The conception snapshot
Male Londoner penetrating the oocyte membrane

The very moment of conception is captured in the image on the left as a male Londoner sticks his head inside the bus door, penetrating the oocyte membrane.

Erika Tham is introduced in the midst of that scene, holding the precious focal object, the dragon seed soccer ball. This serves to equate the Londoners and the ball as sperm symbols. In this sequence another subtle connection is made that marks the seed as occult; the black pentagons noted in Part Three. The most commonly recognized symbol of the occult is the pentagram, a regular star pentagon. The symbol as used by Satanists and Neopagans such as Wiccans is usually inscribed within a circle, which is evident in the round soccer ball. Black is the color most commonly associated with the occult. The two most important sperm characters pick up the motif.

Occult Motif - sperm"

The male Londoner highlighted as the ejaculate carries the subtle theme in his pants, literally, as they are patterned black and white like the soccer ball! He's the only Londoner male wearing a hat, a prop that suggests the acrosome. ("The acrosome is a cap-like structure over the anterior half of the sperm's head.") In their choice of Londoner and his apparel the symbolic color of the pentagons marking the soccer ball is presented in the color of his skin, acrosome hat and jacket. The umbrellas used to represent the penis were black. The suit worn by the male Londoner who fertilized the egg was black. These elements are linked together and marked as occult - they are the dragon's.

Clearly, a lot of thought and planning went into this presentation and it was executed very carefully. There's not much room for alternate interpretations in the matter because the symbols are all pretty easy to identify when you simply look closely enough with a clear understanding of the context. The imagery in this scene spans the range of the fertilization process but there seems to be an emphasis upon ejaculation.

This emphasis speaks to me of the flood of Noah. The whole range of conception-baptism is there, but with an emphasis on ejaculation and the prominent employment of the umbrella the flood of Noah's day is highlighted. This scene of rather extreme sexual imagery signals anti-Noah the eighth and anti-flood agenda. This has been done quite effectively! We get it.

The Triple-Decker Bus as the Ark of Noah

With an understanding of the umbrella symbol as a sign of the anti-Flood I'd like to present the bus as an ark symbol.

The bus is a double-decker with stages for the performers that appeared up above it as an additional level or third deck. The ark was itself a triple decker. Both the bus and the ark had a door in the side for ingress and egress.

Both the ark and the bus were equipped for protection from the impending flood after the point of no return had been reached. During the performance of "Whole Lotta Love," the point of no return was signalled and then the bus itself was equipped with umbrellas. In the record of Genesis, the point of no return was reached in 6:7 and the ark was subsequently covered with pitch.

In the biblical account, following the heavenly ejaculation, the ark was lifted off the earth, with all aboard, it floated away. In what you might now call the London "Love Boat" scene, following the heavenly ejaculation when the soccer ball had been launched, the bus began to move slowly away.

It seems pretty obvious the multipurpose bus has earned another moniker, the "Love Boat," employed during the sex scene as the ark of Noah the eighth. However, the perspective of the love associated with this ark really depends upon who's on board. This perspective is brought forcefully to our attention when the bus is considered as the ark of Noah the eighth during the opening scene at the bus stop!

Perhaps the single most memorable image most viewers took away from the opening scene is that of the Londoners desperate attempt to board the bus being met with failure as they were thrown back to the ground. What was that about? Didn't you vocalize that same sentiment in response? I presented a variety of interpretations in part three, and each of them valid, but I believe the number one signification in this most striking image relates to the bus as the ark of Noah!

Consider this scene now with a change of symbols. We are changing from a simple conception viewpoint to a conception-as-flood-of-Noah view. Instead of the bus and Londoners as symbols of egg and sperm, consider the bus as the ark and how the Londoners were outside the ark. The Londoners appeared to want in very badly. However, access was denied. When the umbrellas open and the subsequent ejaculation imagery signals the outpouring of the waters of the flood, it becomes apparent that inside the ark is safety and salvation. Outside is destruction!

When all appointed salvation were on board, the ark was sealed, closed up by the Lord Himself. No further access was granted. How do you suppose the scene looked as water started flooding the earth. I can imagine there may have been frantic and very desperate attempts to pry open the door, to gain access by any means possible when the reality of their situation began to dawn on those being left behind. This, to me, best explains the drama at the door of the bus!

In the historical reenactment scenario, the Londoners are the dragon's offspring, barred from the ark and excluded from the salvation and destined for destruction. However, the sign is the dragon's and the Londoner today represents you and I in the impending anti-Flood! How does that grab you?

Those who commissioned the Olympic signs apparently have an excellent grasp of what is coming. The world is as the mass of spectators who cheered as the signs were paraded before them in Beijing and around the world; oblivious. I pray you are not among them, but alert, watching, repentant and worshiping the Lord Y'shua, in whom salvation is.

A Conception-centric Review

At the crux of the Milk Hill 8 is the crux of the dragon's plan. Because so many different views of the conception-baptism have been presented, I'm going to offer something of a review before I add to it any further. This is something of a reshuffling to make it more conception-centric. I'll begin with a table view and follow it up with some images with commentary.

Series Links: 2012 London Olympics