Olympic Ceremony Symbolism - Part Four

Series Links: 2012 London Olympics

In this fourth part of the series we continue to explore the amazing signs of the opening vignette of the London presentation recently broadcast to the world during the Beijing Olympics. These signs reveal a tangled web and an enclosing net, a foreboding picture of the reality of our time. What's covered here brings into the bright light of day how powerfully influential the subtle manner of presenting these signs through shadowed symbols actually is. As you consider what is brought to light you may discover you have been and are still being manipulated in ways that dilute your efforts to draw nearer to the Lord Y'shua and be free from the antichrist delusion and sorceries of Babylon the great. You may want to read that last sentence again.

Two signs will then be explored that are associated with the Olympic signs and relate to the politics of the presidential campaign. One keys off a subtly dramatized visual element and features Bill Clinton at the Democrat National Convention modeling the messianic pretender. The other, which will lead off Part Five, follows the trail of the Beijing Olympic number eight to the McCain-Palin sign of the renewal of the son of Cain. These signs are more than just loosely related. In them is validation of what has already been presented as the interpretation of the Olympic signs plus further expansion of detail. Insight is gleaned through these interconnected signs that exposes some of the dragon's present workings and agendas and the ultimate goal.

Here's the official video of the London Ceremony. The entire sequence lasts about 10 minutes. If this first link doesn't get you there, the second one should.
The official video on YouTube (queued up to where it begins. )
Our copy, self-hosted on theopenscroll.com for streaming or downloading.

Let's pick up where we left off in Part Three.

After Tayyiba receives the soccer ball she gets on the bus. The bus in this scenario represents the heavenly throne vehicle where the lawless one will display himself as being God. That heavenly vehicle will be a counterfeit of the one described in Ezekiel 1 and 10. The way she gets to the bus is so peculiar it should be obvious it was intended to be symbolic. It's a symbol I recognize! Praise the Lord! The way to access a heavenly realm from the earthly realm is in view. They dramatized a viaduct, a structure used for transportation that is a stunning and key symbolic element in the presentation. This modeling of the means of transition or ascension from the earthly into a heavenly realm also leads us to some very important associated signs. I'll elaborate on how I came to recognize it towards the end of this writing.

Londoner Viaduct

Balcombe Railway Viaduct
between Brighton and London, UK

The five males on whose backs the girl stepped formed a viaduct. If you study the photo of the railway viaduct in West Sussex you can see the pattern created by the Londoners. The choreographed version is really quite brilliant. So, the structure formed for Tayyiba's transport to the bus symbolizes a viaduct. There are good reasons for this!

The viaduct is a fascinating structure that is found in the Bible in some very enlightening passages! It is the Hebrew word "mecillah," which means highway, staircase or viaduct. The mecillah bridges or spans heaven and earth and is intended for travel. Passage on it is strictly controlled. It is as an elevated crosswalk, a border crossing where one crosses over from one realm to another. Consider the following passage where the mecillah is featured in verse 20, translated, "From their courses."

Yes, indeed, this is supernatural angelic warfare. Star Wars! These stars are angels. The excerpt from the song of Deborah and Barak suggests they were either singing this song while caught up in some imagined or mythological fantasy, or they had experiential knowledge with spiritual insight into things we would do well to receive as a lesson. Evidence suggests the latter! Verse 20 from the Young's Literal Translation reads, "From the heavens they fought: The stars from their highways fought with Sisera." This stairway to heaven, highway or viaduct is real. It can also be considered as a portal, a stargate, if you will.

The mecillah was used by the stars as they fought against Sisera, which were the angelic forces of the true God. The same construct is used by the stars of the enemy. Remember, after Tayyiba receives the soccer ball, this is how she gets to the bus. It is important to grasp how the choreographed viaduct transit pictures the man of lawlessness utilizing the mecillah that is the same construct the stars used as they fought from heaven. The dragon and his forces know it well. It is by this means that his chosen agent, the beast, is apparently able to accomplish what we read in 2 Thessalonians 2:4.

This display will be quite convincing! As I wrote earlier, the bus boarded by Tayyiba represents a heavenly vehicle, abode, altar and temple, and this viaduct may be seen as validating that interpretation because you take the mecillah to get "there" from "here."

Beyond use of the mecillah in star transit and warfare, it is appointed for use by a people in days to come, a transfigured people who are granted access to the heavenly city! This, too, is modeled for us in the bus stop vignette through Tayyiba's travel on the choreographed viaduct as we see the acting out of a scene from Revelation 21.

The Modeling of Revelation 21

During the millennial Kingdom, when the King of Kings reigns from His throne, the mecillah will be the thoroughfare between the earth and the holy city, Jerusalem, which the Apostle John was shown coming down out of heaven from God.

Tayyiba carrying the soccer ball on the choreographed viaduct pictures a king of the earth bringing the glory of the nations into the city by way of the mecillah. The bus that is from one perspective London, capital of the UK-counterfeit is here the capital of the UK-genuine, the new Jerusalem. The prized and applauded soccer ball she carried is certainly the glory and honor of the nations, indicated by the commentator's identification of the girl from whom she received it. At her introduction, she was presented as having a composite identity, qualifying her to represent the nations and present their glory. "That is Erika Tham, a little Chinese, Canadian, Malaysian, Ukrainian heritage, representing the children of the world." The bringing of praise is worship, and this too is exhibited in the way the viaduct was choreographed. Consider how the men forming the living viaduct are on their hands and knees in a posture of prayerful worship, on their knees with heads bowed and hands clasped. Take a closer look! They are worshiping!

Consider the other elements in this passage and how they are represented in this scene. The nations are all still in view during this scene, being represented across the vast floor of the stadium, zoned into the five sectors representing all the nations of the world. You can sometimes see the Olympic flame in the background of the scene as the illuminating glory of God. The Belisha beacon is evident in the scene as "its lamp is the Lamb. The lighting of the scene is relatively dim - subdued - no sun or moon. The city has no need. What a fantastic representation!

This is another dual purpose presentation, with a "part and counterpart" pairing of perspectives. The genuine and counterfeit are overlaid, declared through the common symbols. The Revelation 21 modeling is of course, the genuine. The counterfeit is the modeling of 2 Thessalonians 2:4 where the king of the earth takes the dragon seed "glory of the nations" via the mecillah stargate portal into the unholy city, where the gods of Olympism abide and reign. As the five Londoner men form the mecillah in a posture of prayerful worship they exalt the false messiah above themselves by lending their backs, their strength, and worshiping as their dragon seed bearing messiah passes. The worship of this beast who ascends is a primary theme of Revelation 13!

Stairway to Heaven - Subliminal Connection

Mecillah - Viaduct - Stairway to Heaven

Balcombe Railway Viaduct

"She's buying the stairway to heaven"

In the early '80s, Led Zeppelin, the band whose song is the centerpiece of the London presentation, was at the center of a controversy about subliminal messages. The controversy featured their song, "Stairway to Heaven" and concerned the messages heard when this and some other songs are played backwards. Allusion to that song is made during the London ceremony by the forming of a stylized viaduct that represents an actual stairway to heaven! The formation of this structure was used as a segue to the feature Led Zeppelin tune, "Whole Lotta Love." When their song "Stairway to Heaven" is considered in the context of where the allusion is made, the appearance of this symbolic element must be seen as a deliberate and very important association!

I already pointed out how the carnival style music was very similar in effect whether played forward or backward, which is easy to discern if you listen to the mp3 audio clip I made. That suggests the use of backmasking, a recording technique where a sound or message is recorded backward onto a track that is meant to be played forward. The effect generated might function like a jamming device used to disrupt electronic communications, causing confusion and opening a demonic gateway. What we can say for sure is that, since the controversy surrounding "Stairway to Heaven" involved backmasking, the backmasked audio accompanying the visual imagery of the stairway to heaven confirms that the allusion to this song is not imagined. What is it about this song we should know?

Via the link to this song, we get a glimpse of how the dragon has been working through it with the same agenda and in the same manner as the Olympic signs. It's a connection that reveals a greater view of the whole of which the Olympic ceremonies is but a part. In these, the antichrist delusion can be recognized as tangible and discreet messages promoted through subliminal messaging channels. The Olympic subliminals should be seen as one facet of the whole, as one set of elements in the messaging system. The song "Stairway to Heaven," and many other songs besides are part of this same system, with each adding its influence. Considered as part of this bigger picture, we really get a more accurate perspective on the vehicles of the overspreading antichrist delusion. What is "unseen" and "unheard" is NOT ineffective! While some may have thought to minimize the potential effect of the Olympic ceremonies by reason of the limited span of exposure, when considered in the wider context it becomes apparent that the brief exposure isn't nearly so important as we might think. The effort and expense poured into the Beijing messaging vehicle (and, on a grand scale, that!) should be seen as fitting for its role and intended purpose.

The Ascent of the Beast

During the London presentation, this song is referenced as Tayyiba-beast ascends to the bus-throne, presenting imagery of the beast ascending by means of Led Zeppelin's "Stairway to Heaven." This presents the song as a means of elevating the beast, facilitating his taking the throne. Could this be true? What I have found makes such a strong case for it!

I mentioned at the opening of this section that "Stairway to Heaven" was at the center of a controversy, one that brings attention to a key element, the subliminal messaging. The following is an excerpt from the Wikipedia entry for backmasking.

The 1983 California bill was introduced to prevent backmasking that "can manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist". Involved in the discussion on the bill was a California State Assembly Consumer Protection and Toxic Materials Committee hearing, during which "Stairway to Heaven" was played backwards, and William Yaroll testified. The successful bill made the distribution of records with undeclared backmasking an invasion of privacy for which the distributor could be sued. The Arkansas law passed unanimously in 1983, referenced albums by The Beatles, Pink Floyd, Electric Light Orchestra, Queen and Styx, and mandated that records with backmasking include a warning sticker: "Warning: This record contains backward masking which may be perceptible at a subliminal level when the record is played forward." However, the bill was returned to the state senate by Governor Bill Clinton and defeated.

To test the claims about a message revealed in the backwards playing of "Stairway to Heaven," I recorded the verse that's at the center of controversy. When I played it backwards I had no difficulty perceiving the message. You can hear it for yourself from the YouTube video you see on the right. This particular clip I verified as presenting just what it claims to present. To read the lyrics of the featured verse and an interpretation of the reversal see the insert.

If you consider the meaning of the lyrics within this context, as you might expect, the message fits with the themes hidden in the London presentation. Because the meaning is obscure, with the lyrics being somewhat cryptic, the song is seen by many as potentially being very good. A close consideration, especially considering both the forward and backward message, reveals it's not at all good. Of the two paths you can go by (taken from the lyrics), the one the hearers are led to take is, as should be no surprise, the same one the band members chose: Satan's. The song "Stairway to Heaven" has been advancing the antichrist delusion both openly and subliminally.

Since a message clearly appears when the song is played backwards, some questions beg to be asked. Was it intentional? How was this done? Does it influence the listener somehow? If you research the history of the song it becomes immediately obvious that this message that is evangelistic in nature and satanic in content arose in the context of pagan mythological influence, occult magical practices and satanic evocation. While this explains the message found it does not answer the important questions. To find the right answers I had to dig deeper.

The folks at reversespeech.com have the following to say about this song. "If there was a top 40 of backmasked songs, then "Stairway to Heaven" by Led Zeppelin would be at the top. This song contains many backward messages. Here is one of them that occurs right at the very end of the song. It says: "Play backwards. Hear words sung." The curious thing, however, is that there are no superimposed soundtracks on this song and the backward phrase is formed purely by the way the words were sung at the time the recording was made."

Their analysis of the song "Stairway to Heaven" affirms the testimony of Led Zeppelin and others responsible to produce the song, who claim there is no backmasking. No superimposing or track reversing has been done; no recording tricks were employed. The backwards message is somehow imprinted in the song without any manipulation of the recording. Since it's not due to backmasking, how did it get there? While it seems impossible, the truth is that this peculiar phenomenon is not at all unusual! It has nothing to do with recording or even music but rather is common to the human experience of communication! Messages are encoded backwards in our vocal and verbal communications, which includes singing! What I'm saying is that this is not unique to Led Zeppelin or any other band who honors the devil with their music. There is much more to it than that!

Yes, messages are indeed encoded backwards in our vocal and verbal communications, which includes singing! This is a reality most of us find hard to wrap our minds around. I've spent many many hours seeking to understand what the Lord would have me to know about this matter and I have become confident enough to report what I've found. I'm not the first person to come to an awareness of the phenomenon. It's popularly referred to as Reverse Speech^TM, which is now a trademark owned by David John Oates of reversespeech.com. With respect to David's claim and after some consideration I believe speech inversion is an even more fitting label. When you come to accept the reality of the strange phenomenon and begin to understand the nature of the subliminal channel on which the messaging occurs, you begin to grasp the reason why the Olympic ceremony alludes to the song "Stairway to Heaven." What is learned from a study of the song teaches much about the ceremonies!

When the Lord began to lead me down this strange road of the speech inversion messaging I had no clue why He was taking me for such a long and deep journey in this direction. Having followed for what has been over a month of full time effort, the wisdom in it has become evident! Praise the Lord!

Much of what I've learned you can read about in a writing called Speech Inversion - Spilling the Beans. I call it "Spilling the Beans" for two reasons. In it, I expose a hidden channel of communication, thereby "spilling the beans." I also show how it's a window of insight into the mind and heart of a speaker, song writer or singer, one that "spills the beans" by revealing the truth behind what might be a deceptive façade.

As I learned how speech inversion is inherent in our verbal communications and how it's strongly woven into poems and songs my initial perspective on the song "Stairway to Heaven" changed. I can now offer some legitimate answers to the questions I posed earlier about the reverse message in the song. It might not have come with the full awareness of Robert Plant or Jimmy Page, yet the particular message brought forth was deliberate. It is a fact that backwards messages are going to be brought forth in a song. The message that came reveals the source is demonic rather than the soulish chatter of the spirit of man. Robert Plant was complicit, a willing agent, whose pen and voice were used to bring forth the message as given. The demonic influence he permitted granted these entities access to hijack the subliminal channel for their purposes. It is reasonable to conclude, based upon the fruit of this collaborative effort, that, at some point, some deal was cut. The members of the band got out of it whatever temporary benefit is gained through such a hit song, the privileges of fame, fortune, and even worship. The dragon got what he wanted, the successful deployment of a stealth weapon forged in hell against you and I!

... turn us into disciples of the Antichrist

The following is an excerpt from the Wikipedia entry for backmasking.

The 1983 California bill was introduced to prevent backmasking that "can manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist". Involved in the discussion on the bill was a California State Assembly Consumer Protection and Toxic Materials Committee hearing, during which "Stairway to Heaven" was played backwards, and William Yaroll testified. The successful bill made the distribution of records with undeclared backmasking an invasion of privacy for which the distributor could be sued. The Arkansas law passed unanimously in 1983, referenced albums by The Beatles, Pink Floyd, Electric Light Orchestra, Queen and Styx, and mandated that records with backmasking include a warning sticker: "Warning: This record contains backward masking which may be perceptible at a subliminal level when the record is played forward." However, the bill was returned to the state senate by Governor Bill Clinton and defeated.

Were those who flagged the song and sought to combat backmasking deceived and misguided? No. If backmasking is harmless and poses no such threat we really have to ask why this technique is employed here in the demonic soundtrack of the London presentation? The devil is many things but stupid is not among them. If such content had no effect, would effort be expended to include the element in the London presentation, or to block its restriction in 1983? If you can perceive that the dragon is behind the Olympic signs, the backmasked soundtrack of the London presentation speaks to the legitimacy of this device. That the "Stairway to Heaven" imagery was employed in Tayyiba's ascent to the bus further validates the assertion made by those who opposed backmasking, that it "can manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist."

Look again very closely at the posture of the Londoners forming the viaduct, prostrate and praying. See the modeling of the antichrist ascending to the heavenly throne vehicle. I believe the song itself functions as the title declares, as a stairway to heaven, that realm referenced in Ephesians 6:13 as "the spiritual forces of wickedness in the heavenly places." It has served and continues to serve to disciple in the spirit of antichrist, preparing hosts to receive the dragon's seed. The Olympic signs probably include every trick in the book of subliminal discipleship ploys.

It has become clear to me that those who fought against backmasking in 1983 were ignorant of the nature of the messaging they had discovered, mistakenly identifying it as something done intentionally in the recording studio. While they didn't appear to realize there were messages inherent in the vocals of every song, they were right on target with their assessment of the fruit of the songs they had identified as containing satanic messages. Those who fought to counter the promotion of satanic messages were guided by the holy spirit to expose this wicked device of the enemy of our souls.

I doubt that those involved in the controversy in 1983 were aware of how the backwards content extends throughout the entire song. Based upon what I've learned in the past month, I would be very surprised if the entire album didn't contain backwards messaging!

Here's a video I made interpreting the reverse speech of The Battle of Evermore, which is the song that comes right before "Stairway" on the Led Zeppelin IV album.

"Stairway's" effectual employment as an occult evangelism device appears to be a bragging point of the London presentation. The Olympic ceremonies, with backmasked soundtrack, occult symbols and demonic themes compares to "Stairway to Heaven" as a similar device. It can't be a coincidence that "Stairway to Heaven" is precisely 8 minutes in duration. It is yet another 8 added to the collection. With the Olympic ceremonies and "Stairway to Heaven," I perceive that a like spell has been cast according to the manner of witchcraft. The covert messaging broadcast through the medium of the ceremonial pageantry has to be at least as powerfully effective as the backmasking that was attributed the ability to "manipulate our behavior without our knowledge or consent and turn us into disciples of the Antichrist."

It's a popular opinion that "Stairway to Heaven" is a great song when you're straight but far better yet when you're high on drugs. Drugs were very important to Aleister Crowley for the workings of magic, and also to Jimmy Page, one of his dedicated fans. (See Pharmaceuticals - The Sorceries of Babylon)

So, the song's function as a tool for antichrist discipleship was intentional. The dragon's breath is all over it. In discerning the motives of the human agencies involved I believe it is enough for us to know they were willing to accomplish the results, just as with the performers and others behind the Olympic sign production and distribution. The Lord will judge the hearts and motives of all involved in due time (including you and I) with perfect justice.

What about "Whole Lotta Love"?

You may be wondering, what about the centerpiece song of the London presentation? Did "Whole Lotta Love" contain a message in the reversal? Yes it did! It's yet another layer of subliminal messaging during the ceremonies!

Here's the video I made of The London Ceremony performance of Whole Lotta Love.

It's hard to tell due to the poor quality audio, but with careful listening you should be able to make out the words and verify that the message is what I present in the table below. I put the necessary effort into discerning what was actually sung, and I'm confident that anyone who honestly does the same with comparable effort and skill will agree with my assessment.

Quoting from what I wrote in Olympic Ceremony Symbolism - Part Two about this song, here's my summary of the overt lyrics: "The lesson in this is one of immorality, of a carnal love of the sinful, destructive, selfish and manipulative kind, the kind that brings bastard children, heartbreak, disease and judgment into the lives of men and women who lack wisdom, discernment or self control." Yet, those lyrics weren't overtly satanic, with no plainly stated declarations about relationships with Satan or the beast, worship or the mark of the beast. Neither were any of the themes I picked up from the visual imagery and clues provided by the ceremony's commentators distinctly connected to the lyrics of "Whole Lotta Love." Those themes, as you may recall, included genetic reproduction (DNA double-helix imagery), the way of sirens and mariners (the siren's song attracted a mariner on a ship, who runs aground on the rocks and goes down with the ship in flames), and most significantly, Babylon the Great, the mother of harlots and those in relationship with her (Revelation 17 being dramatized with a focus on her, the Beast she sat upon and the kings of the earth). While that's the situation pertaining to the overt (forward) lyrics, it is not that way with the covert!

In the covert lyrics, Satan is presented as the lover. Those he loves are referred to as whores. The lyrics express a love story through a conversation between Satan and one of his whores. The relationship is still sexual, as in the forward version, but it's not "natural." This relationship is between a god and humans, just as presented through the visual imagery and as matching the primary theme of the Olympic ceremony signs! While I could go on at length with a detailed analysis, I think it's sufficient here to make do with a few comments and leave the rest to your personal study.

In the lyric, "Oh Satan, whose name is mine inside you" there is little doubt this references the mark of the beast (Revelation 13:16-18), the hosting of the dragon seed. In the reverse direction it follows the line, "Lord lie with you," which leaves little to the imagination. This is the theme woven into the ceremonies over and again. Pause for a moment. You should acknowledge very evidently where this message is coming from. Is it simply what's on Leona's mind as she sings? No, this is direct from the spiritual realm! It's not altered in the transmission or in the reception. You can believe it. The reversal is spilling the beans! How many alternate interpretations could be offered here? Are you getting the point? Remember from Part Three, the DNA Barcode sign?

In the line "I serve you" it is obvious that the whore serves Satan.

Satan is the father of lies according to John 8:44, and we see the truth of it reported in the lines: "Satan: Been lied to, who'll lie to you."

With regard to, "Say, who's on my - ship?" My ship? This line validates the siren/mariner interpretation I detailed. Remember, Jimmy Page is the mariner on the stage that represents the ship. As she sings this line, Jimmy is seen making his approach towards her on the ship. She will later join him on that platform, the ship.

In the line, "Hey, who's bein' used," we see that the using goes both ways. Those who are themselves willing to "use" are easily lured into a deal for perceived mutual benefit.

In the video, I include the commentator's intro to the scene (which I placed at the top of the table). All the speech inversion content of his surrounding commentary was soul chatter, but when it came to this key line it was clearly "in the moment," focused and relevant to the spiritual context. He said: "And if'n it was devilish, Nairf! Beamish! And, if gods can help you, say your rap!"

Apparently, the gods helped! The devilish rap was said, forwards and back!

So, what does this analysis do for us? It allows us to perceive consciously what we receive on an unconscious level when the song is heard. It's a tangible record of the subliminal content that's secretly transmitted and received during the performance of the song. You should be noting how the message on the covert reverse channel is in harmony with that which came on the overt, which was addressed at length in Olympic Ceremony Symbolism - Part Two. This feature, the harmony of the messages, should seem almost miraculous, that not only are words and phrases found when the song is played backwards, but there's a cohesive message in the reversal that harmonizes with the message of the forward lyrical content! Yet, this is what I have come to expect, based upon my recent season of investigation into this remarkable phenomenon. With the two messages together we have the whole of what was being promoted during this centerpiece of the performance. The nature of the reversal is to give an truthful report, showing what's "behind the mask." The speech inversion analysis provides us with valuable insight into the message broadcast!

What a remarkable benefit has come through the allusion to "Stairway to Heaven"!

Reflection

These truths and facts brought to our attention generally through the subtle visual sign of the Londoner viaduct are truly remarkable! We've not yet reached the end of where this one single symbolic element leads us, but I want to take a moment to reflect upon how it illustrates several things. It is the mecillah that is a means of passage between this earthly realm and the heavens that has functioned in the past, functions in the present and in the near future will likely play a huge role as judgment is poured out in the earth. The antichrist beast will access this portal as he ascends to his appointed throne, and warfare will occur as the stars will again fight from heaven from their courses, the mecillah. This viaduct is also an allusion to the Led Zeppelin song, "Stairway to heaven," through which we learn much about satanic influence of the kind broadcast from Beijing.

With common sense and sober reasoning you must conclude that there are those who have known what is coming and have carefully and thoroughly prepared the way using devices of great effectual influence. They are not afraid to come forward with the evidence of their knowledge. They are so confident their plans will not be subverted they publish them spectacularly into the public domain. They know that even as these facts and truths are exposed, the success of their plan is assured. They have gambled on the effectiveness of their weaponry and the delusional state of the world's populace - and they have won. They not only have the knowledge and the moxie to pull this off, they have the funds, all the means. They are bragging about their ability to dupe the world and control its perception of reality. They are mocking those they manipulate. The dragon's plan for today has been in preparation from way before Led Zeppelin. What is now unfolding and is being exposed in the Olympic signs is the product of thousands of years of preparation.

You can take all this away from this insight into the meaning of the sign. Along with it, I hope you take one more thing with you. The Truth Himself. His purposes will ultimately be accomplished in all of this: Nothing more, and nothing less.

The Stairway leads to Bill Clinton

Bill Clinton has been observed over the last several years modeling the antichrist, doing and saying the right things at the right times in the right places. I've documented this trend since 2001. The historical fact that Bill Clinton was the agent responsible for kicking the legs out from under the anti-backmasking legislation in 1983 should speak LOUDLY to us, since he's the one implicated over and again in recent years as becoming that very character for whom the backmasking was declared to be a discipling tool! He's about to implicated again in the next section of this writing in the inexplicably enthusiastic reception he received at the DNC in August 2008! One of the links between that event and the Olympic signs is the very same dramatized "stairway to heaven" feature that points to him taking anti-antichrist action in 1983!

This seems to be an appropriate place to reference a video of Bill Clinton being interviewed on Larry King Live, September 2007. I verified the reversal personally and it is as the video claims. He is captured making some interesting statements by way of speech inversion. "I am Satan" "Afraid they can make out our voice" Hmmmmmmm. This is the same guy who killed the anti-backmasking legislation. Busted. The "I am Satan" reversal appears when he says, "my foundation gives me a platform and an organization to take these things on." The "Afraid they can make out our voice" reversal appears when he says, "still but I can't make a difference anymore, you know, like the current state of the Middle East peace negotiation or something." These come through just as plain as anything said in the forward direction. This is the guy who said in court those famous words, "It depends on what the meaning of the word 'is' is" during his 1998 grand jury testimony on the Monica Lewinsky affair. Hey, what if words actually meant something? Some still think they do.

The Assyrian is in the Land - Bill Clinton and the Temple of Zeus

When I was considering the curious feature of the London presentation where the soccer ball was being taken to the bus I was rather startled to recognize a symbol that has a personal story behind it. One day back in maybe '97 or '98, I woke up in the morning with a phrase running through my mind, "The Assyrian is in the land." I had no idea what it meant, but the phrase kept running through my mind throughout the day. When I returned home and got into the Bible to spend some time at the Lord's feet, He showed me "the Assyrian" as a symbol of a people who will dwell in the land in contrast to dwelling in Heaven. The related insight I received in the context was about the Hebrew word "mecillah," a viaduct.

The lesson about this viaduct was interesting, but nothing about it was directly connected to anything else the Lord had been showing me, and that fact seemed as peculiar as the manner in which the Lord drew my attention to it! I was, however, content that there was no further leading, so I wrote up a study on The Kingdom Viaduct and simply moved on. Early in 2008, many years later, I came to consider the lack of real closure on this matter, wondering why I don't recall scouring the news at the time to see who might have been visiting the local area, or the land of Israel, who might be considered the Assyrian. It may have crossed my mind at the time, I can't say because I don't remember. I never logged what day it happened so there's no record, no way to return to consider that angle. I perceive that the Lord had led me where He wanted me and I had followed to the end of it. That's all there was for me. Until now.

I'm telling you my testimony of how the Lord led me to this next sign so you know what I know, that the Lord has marked it for special attention. Years ago, I was led to the mecillah insight via the "Assyrian is in the land" sign. Now, I am led to the "Assyrian is in the land" insight via the mecillah sign - the symbol of the Londoners choreographed viaduct! This has come full circle, and now, there is closure! Thank you Lord!

When I recognized the choreographed viaduct and prayerfully considered the meaning it became very apparent I should look into what Bill Clinton was doing and what it meant that he was in the land. I know who to watch as the Assyrian. Since 2001 he has been the one the Lord has shown me, who does the right things at the right time, and this is once again the case. Bill Clinton is the Assyrian. (Don't get sidetracked into genealogy because it is not, at least not here, the point of this symbolic label.)

So, what does it mean that the Assyrian is in the land? Where was he and what was he doing? Bill wasn't hard to find. He was at that time in the news headlines, and two items relating to his location and activity were in the spotlight. Both link him to the Olympic signs and offer insight into the "in the land" element of the revelation. He was found in a venue suggestive of Olympus and Olympism receiving worship, looking as good as or better than ever!

Bill was in Denver at the Democrat National Convention. The main venue was in the news because an elaborate stage constructed for the event resembled a Greek temple, in fact, the alter of Zeus that was referred to in Revelation as the seat of Satan. The media made a huge fuss over this for days, calling it things like, "Obama Temple." No satisfying explanation for this choice of imagery was provided, but but this appears as a sign when you consider it in connection with the Olympic signs. While at the DNC, the spotlight was focused on Bill Clinton. The reception he received when he came forward to speak was so far "off the charts" no one knew what to make of it! After about 3 minutes and 48 seconds of enthusiastic applause, Bill finally interrupted and said, "You know, I uh - I love this." If this video was still available, (www.webcastr.com/videos/news/bill-clinton-gets-the-longest-standing-ovation-in-.html: "Bill Clinton gets the longest standing ovation in history") you would see that someone took the over-the-top source video and had some fun with it. So, 3 days later, the Beijing Olympics were closed with a huge celebration. What happened with the celebration of Bill "antichrist modeling" Clinton in one sports stadium happened on the other side of the world in another sports stadium!

The point of connection is the viaduct formed as Tayyiba was taking the soccer ball to the bus. With the meaning of that scene clearly established in Part Three as activity surrounding the revealing of the man of lawlessness (2 Thessalonians 2) we view the sign linked at this point in the same context. The Assyrian type references the man of lawlessness - they are one and the same. The scene at the stadium in Denver is a replay of the scene in Beijing. Is it the very fulfillment, a fore view, or perhaps, an echo? It can not be the actual event but it surely is an important modeling (which follows up what happened on April 20 / Aviv 13 during the Pope's visit, when Bill showed up to see him off). Let's compare the imagery of these scenes.

When Tayyiba received the soccer ball from Erika she held it up in the air and showed it off to the assembly of witnesses, who applauded in celebration. This represents the reception at the revealing of the man of lawlessness, who will have just received the dragon's seed anointing in the baptism of the unholy spirit of antichrist. As this messianic figure ascended up the viaduct, exaltation and worship was received as evidenced in the postures of those forming the viaduct. The exaltation and worship was replayed for our benefit when Bill Clinton was presented to the assembly on the third day hence, on the 27th of August, with wildly enthusiastic applause that lasted for over three and a half minutes! This is the same Bill Clinton who had been held in derision for several weeks prior to the convention. Less than that has killed others, but not Bill. There has to be an explanation for something so far "off the scale" as that, and now you have it! It's a sign that now has our attention.

Exaltation and worship

When I found and watched video that showed Bill's approach to the podium I discovered a subtle indication of the plan for his future. His approach was made to the refrain of the popular Fleetwood Mac song, "Don't Stop" (See full video of the address on YouTube) The lyrics that greeted him are below.

Don't stop, thinking about tomorrow,
Don't stop, it'll soon be here,
It'll be, better than before,
Yesterday's gone, yesterday's gone.

"Yesterday's gone" and tomorrow will "soon be here" is a core message of the Olympic signs, as will be shown shortly as the meaning of the recurring number eight. I see the song as encouragement for Bill, whose tomorrow is perceived as being better than before in an allusion to his former presidential terms.

I think we can consider this sign, this "way-over-the-top" surprise of a reception as something of a dress rehearsal.Keep watching. Watch, and pray.

Let's consider some comparisons between the viaduct signs.

• The activity in Beijing was broadcast from an Olympic venue that has been shown to represent the dragon's lair. Based upon evidence from various sources over the years, Denver can be viewed as such a dragon's lair.
• Numerous facilities hosted the Olympics in Beijing, and so it was with the DNC in Denver.
• The games in Beijing were played with more than the victor's medals in mind. They were played for glory and honor, to stand atop the podium and represent the nation to the world. Likewise the games in Denver.
• The competitors, individually and as teams, competed in events of skill and strategy. This too was evident in Denver as a great struggle for ascendancy was on display, with skillful sparring in oratories planned by seasoned strategists as they competed for the minds and hearts of the people from whom these Olympians receive glory and honor.
• Olympic games are hosted in stadiums. From Beijing the centerpiece was the bird's nest, the Beijing National Stadium. The centerpiece venue chosen by the Democrat National Convention was Denver's famous Mile High Stadium.
• The Beijing viaduct scene was presented on the approximate level of the top of Mount Olympus, the home of the gods, represented by the slightly raised circular stadium where the "ancient Olympians" continued to pose. The Denver viaduct scene was presented in Mile High Stadium.
• At the closing ceremonies in Beijing a party was thrown celebrating an impending change of administration. So, too, Denver.
• The transition celebrated in Beijing looks to another at the end of its term in 2012. So, too, Denver.
• The scene in Beijing had all the symbols and history of the Olympics, as expected. What about Denver? The scene in the stadium had symbols of the Olympics, but they came as a bit of a surprise.

Temple with mecillah - Beijing >> Denver

When the controversial set design that was the centerpiece for the activity in the DNC stadium is compared to the visual imagery of the London presentation we discover a common picture. The view is of the viaduct and the temple to which it leads, into which the man of lawlessness will ascend to the throne! In one scene, the temple is the bus, and, in the other, the controversial composite Greek temple. In one the viaduct is presented by the five Londoners, and in the other its the semi-circular terraced steps leading up to its stage.

The following verse reveals that the steps for "Solomon's Temple" are mecillah, the viaduct.

The word translated "steps" is "mecillah." It is the viaduct, alternately translated in this same verse as "terraces" (KJV) and "staircases" (YLT). The king was Solomon, and the house of the Lord for which he made steps was of course, the Lord's Temple in Jerusalem.

The two signs are as one, and they speak to us how the same gods of Olympism are behind them both! As the mecillah is a construct that bridges, we have through the sign of a viaduct a bridge between Beijing and Denver.

Let's take a closer look at the Greek temple built in Mile High Stadium. According to an analysis of the design found at redstatemobile.com the structure is mostly a composite of the Temple of Zeus at Olympia and the West Wing of the White House. The author of that page, who saw no connection with the Olympics, gives his view from a carnal political perspective. "Another part of this can be chalked up to a desire to do the minimum amount necessary to avoid the same accusations of presumptuousness that the fake Presidential Seal garnered. The pane coloring, the backdrop changes -- all are there to create plausible deniability. However, when placed side by side and compared architecturally -- and when the Obama campaign's presumptuous history is taken into account -- it becomes quite clear what this is: an attempt to craft an image of Barack Obama addressing the masses (and the nation) from the West Wing of the White House." Certainly, that's plausible.

We know why this was made to resemble a Greek Temple, to connect it to the Olympic sign. Yet, more than just that, it's a composite design, one that provides us with a link to the White House and exposes the association between the office of the presidency and Olympism. The gods of Olympism are involved in the political process. Those of you who are aware of the Masonic influence on this country, who recognize the Greek goddess Persephone, queen of the underworld, who stands on the dome of the Capital Building, this comes as no surprise. If you are emotionally involved in the political process and favor one candidate or party over another, I'm asking you to read the signs and take them seriously. This one is linked to Obama and Clinton, the next one I will address relates to the McCain-Palin ticket.

When Barack Hussein Obama theatrically ascended out of the stage in like manner as the harlot and the kings of the earth in the "Whole Lotta Love" scene, did anyone who watched get a feeling of deja vu? After Barack put on his "game face" and performed his oratory before the spectating masses from this Olympic-extension venue, while everyone waited anxiously for the "judges' numbers," for the pollsters and media commentators to report the ratings of his performance, did anyone sense something strangely familiar?

Perhaps above 90,000 people gathered in the bird's nest stadium on the 24th, while about 84,000 gathered on the 28th in Mile High Stadium. Multiplied millions watched the broadcasts live and the video feeds continue to be viewed by many more. (Both utilize the same new Microsoft Silverlight technology for presentation.) Have any among them perceived these signs? The evidence is appearing that a very small number have. Of those who have, I perceive that far fewer see them in the light of truth. The deception appears to be almost universal.

The simple message promoted by gods of Olympism through Obama is "Change We Can Believe In." It is a message of faith, and hope. We have seen in the related signs what changes they have in mind. That is not the change the Sovereign God who is Love wants for you and I!

The Olympic signs were not of Chinese invention but rather of the red dragon's, and, in scope, not regional but rather global. The bird's nest stadium was the location of the closing ceremonies on August 24th, but we see an extension of the signs of Olympism, observed after their official close as on the 27th with Bill's reception, and in remote venues such as the Olympic extension facility in Denver. The plans of the dragon and the gods of Olympism presented in Beijing are being implemented globally, and associated signs are being presented around the world.

This is the sign the Lord has emphasized by way of the heightened drama in revealing that the "Assyrian is in the land." These are truly amazing times! We are in perilous times. Watch and pray!

In closing, it seems pretty obvious that the messages broadcast from Beijing can't be interpreted as being particular to the Chinese or British, or even attributed merely to men themselves. The messages relate to the war between good and evil, as you might see it on the grandest and most simple scale. The message is that we are in the midst of a conflict the likes of which has not been seen for a very long time. It's time to choose sides.

Series Links: 2012 London Olympics